Resources

Apter, M. J., 1969. Cybernetics and Art. Leonardo, 2(3), pp.257-265.

Bell, S., 1995. Creative Participatory Behavior in a Programmed World. Leonardo, 28 (3), pp. 171–176.

Birmingham Museums and Art Gallery, 1999. Computers and Printmaking.

Chambers, E. (ed.), 2008. UCL Art Collections: An Introduction and Collections Guide.

Chelsea College of Art and Design, 1996. Transformations: the fine art print and the computer: The integration of computers, print technology and printmaking. London: Chelsea College of Art and Design.

Crabtree, J., 2012. Interview on life and art practice. Interviewed by Sabrina Handler, Frances Reed, Liza Shapiro and Victoria Taylor [Personal Communication] UCL Art Museum, 22 Feb 2012.

Dietrich, F., 1987. The Computer: A Tool for Thought-Experiments. Leonardo, 20(4), pp.315-325.

Fernández, M., 2008. Detached from HIStory: Jasia Reichardt and Cybernetic Serendipity. Art Journal Vol. 67, No. 3, Autumn 2008. College Art Association. Retrieved 19 February 2012 from World Wide Web: http://www.jstor.org/stable/40598908.

Faure Walker, J., 2006. Painting the digital river: How an artist learned to love the computer. Upper Sadle River, N.J.: Prentice Hall.

Gere, C., 2004. New Media Art and the Gallery in the Digital Age. Tate Papers Autumn 2004. 2004. Retrieved on 19 February 2012 from World Wide Web: http://www.tate.org.uk/research/tateresearch/tatepapers/04autumn/gere.htm.

Gips, T., 1990. Computers and Art: Issues of Content. Art Journal Vol. 49, No. 3, Autumn 1990. College Art Association. Retrieved 4 March 2012 from World Wide Web: http://www.jstor.org/stable/77712. pp. 228-232.

Gleisner, J., 2011. Artists are Like Rats. art21. Retrieved 11 March 2012 from World Wide Web: http://blog.art21.org/2011/01/26/open-enrollment-artists-are-like-rats/.

Hamilton, R., Jones, S and dos Santos, B., 2005. Slade Prints of the 1950s.

Mason, C., 2008. A computer in the art room: the origins of British computer arts 1950–80. Hindrigham: JJP Publishing.

McGowan, J. (ed.) 2006. Jean Spencer: A Retrospective Exhibition.  Retrieved 11 March 2012 from World Wide Web http://www.oundleschool.org.uk/news/06mich/spencer1.pdf

McLuhan, M. ‘Introduction’ in Understanding Media: The Extensions of Man, London: Sphere, 1967, in Harrison, C. and Wood, P. (eds.) Art in Theory 1900-2000 An Anthology of Changing Ideas, 2nd ed, Oxford: Blackwell, 2003, p754.

Michie, D. and Johnston, R., 1984. The creative computer: Machine intelligence and human knowledge. New York: Viking.

Parslow, R.D., 1970. Computer (aided) art. Computer-Aided Design, 2 (3), pp. 22–28.

Paul, C., 2003. Digital Art. London: Thames & Hudson.

Popper, F., 1993. Art of the Electronic Age. Singapore: Thames & Hudson.

Reffin Smith, B., 1975. Computer art: Recent trends. Computer-Aided Design, 7 (4), pp. 225–228.

Reichardt, J. (ed.), 1968. Cybernetic Serendipity: the computer and the arts. London: Studio International.

Reichardt, J., 1971. The Computer in Art. London: Studio Vista Limited.

Rosen, M., (ed.) 2011. A Little-known Story about a Movement, a Magazine and the Computer’s Arrival in Art: New Tendencies and Bit International, 1961 – 1973. Germany: ZKM Publishing.

Tamblyn, C., 1990. Computer Art as Conceptual Art. Art Journal Vol. 49, No. 3, Autumn 1990. College Art Association. Retrieved 4 March 2012 from World Wide Web: http://www.jstor.org/stable/777116. pp. 253-256.

The Public Catalogue Foundation, 2005. London: The Slade and UCL.

Thompson, M., 1977. Computer Art: Pictures Composed of Binary Elements on a Square Grid. Leonardo, 10 (4), pp. 271–276.

Thorpe, V. and McKie, A., 2012. Digital art brings a burst of colour into couture fashion. The Observer, 5 Feb. p.16.

UCL Art Collections, 2007. Tradition Aside: Slade Printmakers of the 1960s.

Usselmann, R., 2003. The Dilemma of Media Art: Cybernetic Serendipity at the ICA London. Leonardo Vol. 36, No. 5. The MIT Press. Retrieved from World Wide Web 20 February 2012: http://www.jstor.org/stable/1577522.

Wilson, S., 1983. Computer Art: Artificial Intelligence and the Arts. Leonardo, Vol.16, No.1. The MIT Press.

Working information. 3, 1978. 6 artists: Beyls, Briscoe, Crabtree, Scrivener, Sullivan, Viner. London: Produced by Jean Spencer.

V&A Computer Art Reading List

Beddard, Honor, and Douglas Dodds. Digital Pioneers. London: V&A Publishing, 2009.

Brown, Paul, Charlie Gere, Nick Lambert, and Catherine Mason, eds. White Heat, Cold Logic: British Computer Art 1960-1980. Cambridge, MA: MIT Press, 2009. National Art Library pressmark: 603.AK.0259

Dietrich, Frank. ‘Visual Intelligence: the First Decade of Computer Art (1965-1975).’ Leonardo 19, no.2 (1986): 159-169. National Art Library pressmark: PP.4.N

Franke, Herbert W. Computer Graphics, Computer Art. London: Phaidon, 1971. National Art Library pressmark: 38.EE.107

Herzogenrath, Wulf, and Barbara Nierhoff-Wielk, eds. Ex Machina, Early Computer Graphics up to 1979. Munich: Deutscher Kunstverlag, 2007. National Art Library pressmark: 602.AH.0471

Jürgens, Martin C. Digital Print: the Complete Guide to Processes, Preservation and Identification. London: Thames and Hudson, 2009.

Leavitt, Ruth, ed. Artist and Computer. New York: Harmony Books, 1976. National Art Library pressmark: Archive of Art and Design

Lieser, Wolf. Digital Art. [Königswinter?]: Ullmann/Tandem, 2009.

Mason, Catherine. A Computer in the Art Room: the Origins of British Computer Arts 1950-1980. Hindrigham, Norfolk: JJG Publishing, 2008. National Art Library pressmark: 603.AJ.0649

Reichardt, Jasia. The Computer in Art. London: Studio Vista, 1971.
National Art Library pressmark: 602.AA.0661

Reichardt, Jasia, ed. Cybernetic Serendipity: the Computer and the Arts: a Studio International Special Issue. London: Studio Ltd., 1968.
National Art Library pressmark: PP.73.A

Spalter, Anne Morgan. The Computer in the Visual Arts. Reading, Mass.; Harlow: Addison Wesley Longman, 1999. National Art Library pressmark: NB.99.2012

Walker, James Faure. Painting the Digital River: How an Artist Learned to Love the Computer. Upper Saddle River, NJ; London: Prentice Hall, 2006. National Art Library pressmark: 602.AK.0148

Wands, Bruce. Art of the Digital Age. London: Thames and Hudson, 2006. National Art Library pressmark: 603.AG.0945

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: