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Birmingham Museums and Art Gallery, 1999. Computers and Printmaking.

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Chelsea College of Art and Design, 1996. Transformations: the fine art print and the computer: The integration of computers, print technology and printmaking. London: Chelsea College of Art and Design.

Crabtree, J., 2012. Interview on life and art practice. Interviewed by Sabrina Handler, Frances Reed, Liza Shapiro and Victoria Taylor [Personal Communication] UCL Art Museum, 22 Feb 2012.

Dietrich, F., 1987. The Computer: A Tool for Thought-Experiments. Leonardo, 20(4), pp.315-325.

Fernández, M., 2008. Detached from HIStory: Jasia Reichardt and Cybernetic Serendipity. Art Journal Vol. 67, No. 3, Autumn 2008. College Art Association. Retrieved 19 February 2012 from World Wide Web:

Faure Walker, J., 2006. Painting the digital river: How an artist learned to love the computer. Upper Sadle River, N.J.: Prentice Hall.

Gere, C., 2004. New Media Art and the Gallery in the Digital Age. Tate Papers Autumn 2004. 2004. Retrieved on 19 February 2012 from World Wide Web:

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Hamilton, R., Jones, S and dos Santos, B., 2005. Slade Prints of the 1950s.

Mason, C., 2008. A computer in the art room: the origins of British computer arts 1950–80. Hindrigham: JJP Publishing.

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Reichardt, J., 1971. The Computer in Art. London: Studio Vista Limited.

Rosen, M., (ed.) 2011. A Little-known Story about a Movement, a Magazine and the Computer’s Arrival in Art: New Tendencies and Bit International, 1961 – 1973. Germany: ZKM Publishing.

Tamblyn, C., 1990. Computer Art as Conceptual Art. Art Journal Vol. 49, No. 3, Autumn 1990. College Art Association. Retrieved 4 March 2012 from World Wide Web: pp. 253-256.

The Public Catalogue Foundation, 2005. London: The Slade and UCL.

Thompson, M., 1977. Computer Art: Pictures Composed of Binary Elements on a Square Grid. Leonardo, 10 (4), pp. 271–276.

Thorpe, V. and McKie, A., 2012. Digital art brings a burst of colour into couture fashion. The Observer, 5 Feb. p.16.

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V&A Computer Art Reading List

Beddard, Honor, and Douglas Dodds. Digital Pioneers. London: V&A Publishing, 2009.

Brown, Paul, Charlie Gere, Nick Lambert, and Catherine Mason, eds. White Heat, Cold Logic: British Computer Art 1960-1980. Cambridge, MA: MIT Press, 2009. National Art Library pressmark: 603.AK.0259

Dietrich, Frank. ‘Visual Intelligence: the First Decade of Computer Art (1965-1975).’ Leonardo 19, no.2 (1986): 159-169. National Art Library pressmark: PP.4.N

Franke, Herbert W. Computer Graphics, Computer Art. London: Phaidon, 1971. National Art Library pressmark: 38.EE.107

Herzogenrath, Wulf, and Barbara Nierhoff-Wielk, eds. Ex Machina, Early Computer Graphics up to 1979. Munich: Deutscher Kunstverlag, 2007. National Art Library pressmark: 602.AH.0471

Jürgens, Martin C. Digital Print: the Complete Guide to Processes, Preservation and Identification. London: Thames and Hudson, 2009.

Leavitt, Ruth, ed. Artist and Computer. New York: Harmony Books, 1976. National Art Library pressmark: Archive of Art and Design

Lieser, Wolf. Digital Art. [Königswinter?]: Ullmann/Tandem, 2009.

Mason, Catherine. A Computer in the Art Room: the Origins of British Computer Arts 1950-1980. Hindrigham, Norfolk: JJG Publishing, 2008. National Art Library pressmark: 603.AJ.0649

Reichardt, Jasia. The Computer in Art. London: Studio Vista, 1971.
National Art Library pressmark: 602.AA.0661

Reichardt, Jasia, ed. Cybernetic Serendipity: the Computer and the Arts: a Studio International Special Issue. London: Studio Ltd., 1968.
National Art Library pressmark: PP.73.A

Spalter, Anne Morgan. The Computer in the Visual Arts. Reading, Mass.; Harlow: Addison Wesley Longman, 1999. National Art Library pressmark: NB.99.2012

Walker, James Faure. Painting the Digital River: How an Artist Learned to Love the Computer. Upper Saddle River, NJ; London: Prentice Hall, 2006. National Art Library pressmark: 602.AK.0148

Wands, Bruce. Art of the Digital Age. London: Thames and Hudson, 2006. National Art Library pressmark: 603.AG.0945


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